[Quentin Durward by Sir Walter Scott]@TWC D-Link book
Quentin Durward

CHAPTER IV: THE DEJEUNER
17/17

But such scraps of old poetry have always had a sort of fascination for us; and as the tune is lost for ever unless Bishop [Sir Henry Rowley, an English composer and professor of music at Oxford in 1848.

Among his most popular operas are Guy Mannering and The Kniqht of Snowdon] happens to find the notes, or some lark teaches Stephens [Catherine (1794-1882): a vocalist and actress who created Susanna in the Marriage of Figaro, and various parts in adaptation of Scott.] to warble the air--we will risk our credit, and the taste of the Lady of the Lute, by preserving the verses, simple and even rude as they are: Ah! County Guy, the hour is nigh, The sun has left the lea, The orange flower perfumes the bower, The breeze is on the sea.
The lark, his lay who thrill'd all day, Sits hush'd his partner nigh; Breeze, bird, and flower confess the hour, But where is County Guy?
The village maid steals through the shade, Her shepherd's suit to hear; To beauty shy, by lattice high, Sings high born Cavalier.
The star of Love, all stars above, Now reigns o'er earth and sky; And high and low the influence know -- But where is County Guy?
Whatever the reader may think of this simple ditty, it had a powerful effect on Quentin, when married to heavenly airs, and sung by a sweet and melting voice, the notes mingling with the gentle breezes which wafted perfumes from the garden, and the figure of the songstress being so partially and obscurely visible as threw a veil of mysterious fascination over the whole.
At the close of the air, the listener could not help showing himself more boldly than he had yet done, in a rash attempt to see more than he had yet been able to discover.

The music instantly ceased--the casement was closed, and a dark curtain, dropped on the inside, put a stop to all farther observation on the part of the neighbour in the next turret.
Durward was mortified and surprised at the consequence of his precipitance, but comforted himself with the hope that the Lady of the Lute could neither easily forego the practice of an instrument which seemed so familiar to her, nor cruelly resolve to renounce the pleasures of fresh air and an open window for the churlish purpose of preserving for her own exclusive ear the sweet sounds which she created.

There came, perhaps, a little feeling of personal vanity to mingle with these consolatory reflections.

If, as he shrewdly suspected, there was a beautiful dark tressed damsel inhabitant of the one turret, he could not but be conscious that a handsome, young, roving, bright locked gallant, a cavalier of fortune, was the tenant of the other; and romances, those prudent instructors, had taught his youth that if damsels were shy, they were yet neither void of interest nor of curiosity in their neighbours' affairs.
Whilst Quentin was engaged in these sage reflections, a sort of attendant or chamberlain of the inn informed him that a cavalier desired to speak with him below..


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