[Paul Clifford Complete by Edward Bulwer-Lytton]@TWC D-Link bookPaul Clifford Complete CHAPTER VI 1/19
CHAPTER VI. Bad events peep out o' the tail of good purposes .-- Bartholomew Fair. IT was not long before there was a visible improvement in the pages of "The Asinaeum." The slashing part of that incomparable journal was suddenly conceived and carried on with a vigour and spirit which astonished the hallowed few who contributed to its circulation.
It was not difficult to see that a new soldier had been enlisted in the service; there was something so fresh and hearty about the abuse that it could never have proceeded from the worn-out acerbity of an old slasher. To be sure, a little ignorance of ordinary facts, and an innovating method of applying words to meanings which they never were meant to denote, were now and then distinguishable in the criticisms of the new Achilles; nevertheless, it was easy to attribute these peculiarities to an original turn of thinking; and the rise of the paper on the appearance of a series of articles upon contemporary authors, written by this "eminent hand," was so remarkable that fifty copies--a number perfectly unprecedented in the annals of "The Asinaeum"-- were absolutely sold in one week; indeed, remembering the principle on which it was founded, one sturdy old writer declared that the journal would soon do for itself and become popular.
There was a remarkable peculiarity about the literary debutant who signed himself "Nobilitas:" he not only put old words to a new sense, but he used words which had never, among the general run of writers, been used before.
This was especially remarkable in the application of hard names to authors.
Once, in censuring a popular writer for pleasing the public and thereby growing rich, the "eminent hand" ended with "He who surreptitiously accumulates bustle [money] is, in fact, nothing better than a buzz gloak!" [Pickpocket]. These enigmatical words and recondite phrases imparted a great air of learning to the style of the new critic; and from the unintelligible sublimity of his diction, it seemed doubtful whether he was a poet from Highgate or a philosopher from Konigsberg.
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