Moreover, she thought that she had better stay away, as our object was to do things as quietly as could be.
Much as I had watched this bridge from a distance, or from my sheltering-place, I had never been able to bring myself to make any kind of sketch of it, or even to insert it in a landscape, although it was very well suited and expressive, from its crooked and antique simplicity.

The overhanging, also, of the hawthorn-tree (not ruddy yet, but russety with its coloring crop of coral), and the shaggy freaks of ivy above the twisted trunk, and the curve of the meadows and bold elbow of the brook, were such as an artist would have pitched his tent for, and tantalized poor London people with a dream of cool repose.
As yet the little river showed no signs of doing what the rustic--or surely it should have been the cockney--was supposed to stand still and wait for.

There was no great rush of headlong water, for that is not the manner of the stream in the very worst of weather; but there was the usual style of coming on, with lips and steps at the sides, and cords of running toward the middle.

Quite enough, at any rate, to make the trout jump, without any omen of impending drought, and to keep all the play and the sway of movement going on serenely.
I began to be afraid that the miller must have failed in his stratagem against the water-god, and that, as I had read in Pope's Homer, the liquid deity would beat the hero, when all of a sudden there were signs that man was the master of this little rustic.

Broadswords of flag and rapiers of water-grass, which had been quivering merrily, began to hang down and to dip themselves in loops, and the stones of the brink showed dark green stripes on their sides as they stood naked.