It is not nearly so grand a fall as the upper Yosemite, or so symmetrical as the Vernal, or so airily graceful and simple as the Bridal Veil, nor does it ever display so tremendous an outgush of snowy magnificence as the Nevada; but in the exquisite fineness and richness of texture of its flowing folds it surpasses them all.
One of the finest effects of sunlight on falling water I ever saw in Yosemite or elsewhere I found on the brow of this beautiful fall.

It was in the Indian summer, when the leaf colors were ripe and the great cliffs and domes were transfigured in the hazy golden air.

I had scrambled up its rugged talus-dammed canyon, oftentimes stopping to take breath and look back to admire the wonderful views to be had there of the great Half Dome, and to enjoy the extreme purity of the water, which in the motionless pools on this stream is almost perfectly invisible; the colored foliage of the maples, dogwoods, Rubus tangles, etc., and the late goldenrods and asters.

The voice of the fall was now low, and the grand spring and summer floods had waned to sifting, drifting gauze and thin-broidered folds of linked and arrowy lace-work.

When I reached the foot of the fall sunbeams were glinting across its head, leaving all the rest of it in shadow; and on its illumined brow a group of yellow spangles of singular form and beauty were playing, flashing up and dancing in large flame-shaped masses, wavering at times, then steadying, rising and falling in accord with the shifting forms of the water.