But something of his originality appeared in the work of a much humbler practitioner, contemporary or very nearly contemporary with him.
We have seen that Richardson, Powell, Dufour, and generally the better class of fire-eaters were able to secure select audiences and even to attract the attention of scientists in England and on the Continent.
But many of their effects had been employed by mountebanks and street fakirs since the earliest days of the art, and this has continued until comparatively recent times.
In Naturliche Magie, in 1794, Vol.

VI, page 111, I find an account of one Quackensalber, who gave a new twist to the fire-eating industry by making a "High Pitch" at the fairs and on street corners and exhibiting feats of fire-resistance, washing his hands and face in melted tar, pitch and brimstone, in order to attract a crowd.

He then strove to sell them a compound--composed of fish glue, alum and brandy--which he claimed would cure burns in two or three hours.

He demonstrated that this mixture was used by him in his heat resistance: and then, doubtless, some "capper" started the ball rolling, and Herr Quackensalber (his name indicates a seller of salves) reaped a good harvest.
I have no doubt but that even to-day a clever performer with this "High Pitch" could do a thriving business in that overgrown country village, New York.

At any rate there is the so-called, "King of Bees," a gentleman from Pennsylvania, who exhibits himself in a cage of netting filled with bees, and then sells the admiring throng a specific for bee-stings and the wounds of angry wasps.