The walls of the apartment were partly clothed with grim old tapestry, representing the memorable story of Sir Gawaine's wedding, in which full justice was done to the ugliness of the Lothely Lady; although, to judge from his own looks, the gentle knight had less reason to be disgusted with the match on account of disparity of outward favour, than the romancer has given us to understand.

The rest of the room was panelled, or wainscotted, with black oak, against which hung two or three portraits in armour, being characters in Scottish history, favourites of Mr.Oldbuck, and as many in tie-wigs and laced coats, staring representatives of his own ancestors.

A large old-fashioned oaken table was covered with a profusion of papers, parchments, books, and nondescript trinkets and gewgaws, which seemed to have little to recommend them, besides rust and the antiquity which it indicates.

In the midst of this wreck of ancient books and utensils, with a gravity equal to Marius among the ruins of Carthage, sat a large black cat, which, to a superstitious eye, might have presented the genius loci, the tutelar demon of the apartment.

The floor, as well as the table and chairs, was overflowed by the same mare magnum of miscellaneous trumpery, where it would have been as impossible to find any individual article wanted, as to put it to any use when discovered.
Amid this medley, it was no easy matter to find one's way to a chair, without stumbling over a prostrate folio, or the still more awkward mischance of overturning some piece of Roman or ancient British pottery.
And, when the chair was attained, it had to be disencumbered, with a careful hand, of engravings which might have received damage, and of antique spurs and buckles, which would certainly have occasioned it to any sudden occupant.