He seemed at the very outset to see her in the midst of possessions not vulgarly numerous, but hereditary cherished charming.

While his eyes turned after a little from those of his hostess and Chad freely talked--not in the least about HIM, but about other people, people he didn't know, and quite as if he did know them--he found himself making out, as a background of the occupant, some glory, some prosperity of the First Empire, some Napoleonic glamour, some dim lustre of the great legend; elements clinging still to all the consular chairs and mythological brasses and sphinxes' heads and faded surfaces of satin striped with alternate silk.
The place itself went further back--that he guessed, and how old Paris continued in a manner to echo there; but the post-revolutionary period, the world he vaguely thought of as the world of Chateaubriand, of Madame de Stael, even of the young Lamartine, had left its stamp of harps and urns and torches, a stamp impressed on sundry small objects, ornaments and relics.

He had never before, to his knowledge, had present to him relics, of any special dignity, of a private order--little old miniatures, medallions, pictures, books; books in leather bindings, pinkish and greenish, with gilt garlands on the back, ranged, together with other promiscuous properties, under the glass of brass-mounted cabinets.

His attention took them all tenderly into account.

They were among the matters that marked Madame de Vionnet's apartment as something quite different from Miss Gostrey's little museum of bargains and from Chad's lovely home; he recognised it as founded much more on old accumulations that had possibly from time to time shrunken than on any contemporary method of acquisition or form of curiosity.