Her features, arms, and hands were of the severest and grandest type of old Greek beauty, at once showing everywhere the high development of the bones, and covering them with that firm, round, ripe outline, and waxy morbidezza of skin, which the old Greeks owed to their continual use not only of the bath and muscular exercise, but also of daily unguents.
There might have seemed to us too much sadness in that clear gray eye; too much self-conscious restraint in those sharp curved lips; too much affectation in the studied severity of her posture as she read, copied, as it seemed, from some old vase or bas-relief.

But the glorious grace and beauty of every line of face and figure would have excused, even hidden those defects, and we should have only recognised the marked resemblance to the ideal portraits of Athene which adorned every panel of the walls.
She has lifted her eyes off her manuscript; she is looking out with kindling countenance over the gardens of the Museum; her ripe curling Greek lips, such as we never see now, even among her own wives and sisters, open.

She is talking to herself.

Listen! 'Yes.

The statues there are broken.