[The Weavers<br> Complete by Gilbert Parker]@TWC D-Link book
The Weavers
Complete

CHAPTER V
17/41

The cities of the dead Khalifas and Mamelukes separated them from the living city where the fellah toiled, and Arab, Bedouin, Copt strove together to intercept the fruits of his toiling, as it passed in the form of taxes to the Palace of the Prince Pasha; while in the dark corners crouched, waiting, the cormorant usurers--Greeks, Armenians, and Syrians, a hideous salvage corps, who saved the house of a man that they might at last walk off with his shirt and the cloth under which he was carried to his grave.

In a thousand narrow streets and lanes, in the warm glow of the bazaars, in earth-damp huts, by blistering quays, on the myriad ghiassas on the river, from long before sunrise till the sunset-gun boomed from the citadel rising beside the great mosque whose pinnacles seem to touch the blue, the slaves of the city of Prince Kaid ground out their lives like corn between the millstones.
David had been long enough in Egypt to know what sort of toiling it was.
A man's labour was not his own.

The fellah gave labour and taxes and backsheesh and life to the State, and the long line of tyrants above him, under the sting of the kourbash; the high officials gave backsheesh to the Prince Pasha, or to his Mouffetish, or to his Chief Eunuch, or to his barber, or to some slave who had his ear.
But all the time the bright, unclouded sun looked down on a smiling land, and in Cairo streets the din of the hammers, the voices of the boys driving heavily laden donkeys, the call of the camel-drivers leading their caravans into the great squares, the clang of the brasses of the sherbet-sellers, the song of the vendor of sweetmeats, the drone of the merchant praising his wares, went on amid scenes of wealth and luxury, and the city glowed with colour and gleamed with light.

Dark faces grinned over the steaming pot at the door of the cafes, idlers on the benches smoked hasheesh, female street-dancers bared their faces shamelessly to the men, and indolent musicians beat on their tiny drums, and sang the song of "O Seyyid," or of "Antar"; and the reciter gave his sing-song tale from a bench above his fellows.

Here a devout Muslim, indifferent to the presence of strangers, turned his face to the East, touched his forehead to the ground, and said his prayers.


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