[Athens: Its Rise and Fall<br> Complete by Edward Bulwer-Lytton]@TWC D-Link book
Athens: Its Rise and Fall
Complete

CHAPTER VIII
7/44

I grant that prior, and indeed long subsequent to the time of Homer, the art of writing (as with us in the dark ages) would be very partially known-- that in many parts of Greece, especially European Greece, it might scarcely ever be used but for brief inscriptions.

But that is nothing to the purpose;--if known at all--to any Ionian trader--even to any neighbouring Asiatic--even to any Phoenician settler--there is every reason to suppose that Homer himself, or a contemporary disciple and reciter of his verses, would have learned both the art and the use of the materials which could best have ensured the fame of the poet, or assisted the memory of the reciter.

And, though Plutarch in himself alone is no authority, he is not to be rejected as a corroborative testimony when he informs us that Lycurgus collected and transcribed the poems of Homer; and that writing was then known in Greece is evident by the very ordinance of Lycurgus that his laws should not be written.

But Lycurgus is made by Apollodorus contemporary with Homer himself; and this belief appears, to receive the sanction of the most laborious and profound of modern chronologers [169].

I might adduce various other arguments in support of those I have already advanced; but I have said enough already to show that it is not an "indisputable fact" that Homer could not have been acquainted with writing materials; and that the whole battery erected to demolish the fame of the greatest of human geniuses has been built upon a most uncertain and unsteady foundation.


<<Back  Index  Next>>

D-Link book Top

TWC mobile books