But if the Grecian audience (exiles, and the posterity of exiles), to whom, on Asiatic shores, Homer recited his poem, associated the hereditary feud of Achilles and Agamemnon with the strife between the ancient warriors of Phthiotis and Achaia; then, indeed, the opening lines assume a solemn and prophetic significance, and their effect must have been electrical upon a people ever disposed to trace in the mythi of their ancestry the legacies of a dark and ominous fatality, by which each present suffering was made the inevitable result of an immemorial cause.

[166] III.

The ancients unanimously believed the Iliad the production of a single poet; in recent times a contrary opinion has been started; and in Germany, at this moment, the most fashionable belief is, that that wonderful poem was but a collection of rhapsodies by various poets, arranged and organized by Pisistratus and the poets of his day; a theory a scholar may support, but which no poet could ever have invented! For this proposition the principal reasons alleged are these:--It is asserted as an "indisputable fact," "that the art of writing, and the use of manageable writing materials, were entirely, or all but entirely, unknown in Greece and its islands at the supposed date of the composition of the Iliad and Odyssey; that, if so, these poems could not have been committed to writing during the time of such their composition; that, in a question of comparative probabilities like this, it is a much grosser improbability that even the single Iliad, amounting, after all curtailments and expungings, to upwards of 15,000 hexameter lines, should have been actually conceived and perfected in the brain of one man, with no other help but his own or others' memory, than that it should in fact be the result of the labours of several distinct authors; that if the Odyssey be counted, the improbability is doubled; that if we add, upon the authority of Thucydides and Aristotle, the Hymns and Margites, not to say the Batrachomyomachia, that which was improbable becomes morally impossible! that all that has been so often said as to the fact of as many verses or more having been committed to memory, is beside the point in question, which is not whether 15,000 or 30,000 lines may not be learned by heart from print or manuscript, but whether one man can originally compose a poem of that length, which, rightly or not, shall be thought to be a perfect model of symmetry and consistency of parts, without the aid of writing materials;--that, admitting the superior probability of such an achievement in a primitive age, we know nothing actually similar or analogous to it; and that it so transcends the common limits of intellectual power, as at the least to merit, with as much justice as the opposite opinion, the character of improbability." [167] And upon such arguments the identity of Homer is to be destroyed! Let us pursue them seriatim.
1st.

"The art and the use of manageable writing materials were entirely, or all but entirely, unknown in Greece and its islands at the supposed date of the composition of the Iliad and Odyssey." The whole argument against the unity of Homer rests upon this assertion; and yet this assertion it is impossible to prove! It is allowed, on the contrary, that alphabetical characters were introduced in Greece by Cadmus--nay, inscriptions believed by the best antiquaries to bear date before the Trojan war are found even among the Pelasgi of Italy.

Dionysius informs us that the Pelasgi first introduced letters into Italy.