Not only do they attest it in their very excellence--not only in their reference to other poets--but in the general manner of life attributed to chiefs and heroes.

The lyre and the song afford the favourite entertainment at the banquet [161].

And Achilles, in the interval of his indignant repose, exchanges the deadly sword for the "silver harp," "And sings The immortal deeds of heroes and of kings." [162] II.

Ample tradition and the internal evidence of the Homeric poems prove the Iliad at least to have been the composition of an Asiatic Greek; and though the time in which he flourished is yet warmly debated, the most plausible chronology places him about the time of the Ionic migration, or somewhat less than two hundred years after the Trojan war.

The following lines in the speech of Juno in the fourth book of the Iliad are supposed by some [163] to allude to the return of the Heraclidae and the Dorian conquests in the Peloponnesus:-- "Three towns are Juno's on the Grecian plains, More dear than all th' extended earth contains-- Mycenae, Argos, and the Spartan Wall-- These mayst thou raze, nor I forbid their fall; 'Tis not in me the vengeance to remove; The crime's sufficient that they share my love." [164] And it certainly does seem to me that in a reference so distinct to the three great Peloponnesian cities which the Dorians invaded and possessed, Homer makes as broad an allusion to the conquests of the Heraclidae, not only as would be consistent with the pride of an Ionic Greek in attesting the triumphs of the national Dorian foe, but as the nature of a theme cast in a distant period, and remarkably removed, in its general conduct, from the historical detail of subsequent events, would warrant to the poet [165].