B.C.

630)--they seem of an order so little akin to the usual character of Grecian poetry; there is in them a thoughtful though gloomy sadness, that belongs rather to the deep northern imagination than the brilliant fancies of the west; their melancholy is mixed with something half intellectual--half voluptuous--indicative of the mournful but interesting wisdom of satiety.

Mimnermus is a principal model of the Latin elegiac writers--and Propertius compares his love verses with those of Homer.

Mimnermus did not invent the elegiac form (for it was first applied to warlike inspiration by another Ionian poet, Callinus); but he seems the founder of what we now call the elegiac spirit in its association of the sentiment of melancholy with the passion of love.
IX.

While such was the state of POETRY in Greece--torpid in the Ionian Athens, but already prodigal in her kindred states of Asia and the Isles; gravely honoured, rather than produced, in Sparta;-- splendidly welcomed, rather than home-born, in Corinth;--the Asiatic colonies must also claim the honour of the advance of the sister arts.
But in architecture the Dorian states of European Greece, Sicyon, Aegina, and the luxurious Corinth, were no unworthy competitors with Ionia.
In the heroic times, the Homeric poems, especially the Odyssey, attest the refinement and skill to which many of the imitative arts of Grecian civilization had attained.