But with what face can these critics talk of "probability," when, in order to get rid of one Homer, they ask us to believe in twenty! Can our wildest imagination form more monstrous hypotheses than these, viz .-- that several poets, all possessed of the very highest order of genius (never before or since surpassed), lived in the same age--that that genius was so exactly similar in each, that we cannot detect in the thoughts, the imagery, the conception and treatment of character, human and divine, as manifest in each, the least variety in these wonderful minds--that out of the immense store of their national legends, they all agreed in selecting one subject, the war of Troy--that of that subject they all agreed in selecting only one portion of time, from the insult of Achilles to the redemption of the body of Hector--that their different mosaics so nicely fitted one into the other, that by the mere skill of an able editor they were joined into a whole, so symmetrical that the acutest ingenuity of ancient Greece could never discover the imposture [170]-- and that, of all these poets, so miraculous in their genius, no single name, save that of Homer, was recorded by the general people to whom they sung, or claimed by the peculiar tribe whose literature they ought to have immortalized?
If everything else were wanting to prove the unity of Homer, this prodigious extravagance of assumption, into which a denial of that unity has driven men of no common learning and intellect, would be sufficient to establish it.
3d.

"That if the Odyssey be counted, the improbability is doubled; that if we add, upon the authority of Thucydides and Aristotle, the Hymns and Margites, not to say the Batrachomyomachia, that which was improbable becomes morally impossible." Were these last-mentioned poems Homer's, there would yet be nothing improbable in the invention and composition of minor poems without writing materials; and the fact of his having composed one long poem, throws no difficulty in the way of his composing short ones.

We have already seen that the author need not himself have remembered them all his life.

But this argument is not honest, for the critics who have produced it agree in the same breath, when it suits their purpose, that the Hymns, etc., are not Homer's--and in this I concur with their, and the almost universal, opinion.
The remaining part of the analysis of the hostile argument has already been disposed of in connexion with the first proposition.
It now remains to say a few words upon the authorship of the Odyssey.
V.

The question, whether or not the two epics of the Iliad and Odyssey were the works of the same poet, is a very different one from that which we have just discussed.