[Athens: Its Rise and Fall<br> Complete by Edward Bulwer-Lytton]@TWC D-Link book
Athens: Its Rise and Fall
Complete

CHAPTER I
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But the remotest traditions (such as her contest with Neptune for the possession of the soil), if we take the more simple interpretation, seem to prove her to have been originally an agricultural deity, the creation of which would have been natural enough to the agricultural Pelasgi;--while her supposed invention of some of the simplest and most elementary arts are sufficiently congenial to the notions of an unpolished and infant era of society.

Nor at a long subsequent period is there much resemblance between the formal and elderly goddess of Daedalian sculpture and the glorious and august Glaucopis of Homer--the maiden of celestial beauty as of unrivalled wisdom.

I grant that the variety of her attributes renders it more than probable that Athene was greatly indebted, perhaps to the "Divine Intelligence," personified in the Egyptian Naith--perhaps also, as Herodotus asserts, to the warlike deity of Libya--nor less, it may be, to the Onca of the Phoenicians [29], from whom in learning certain of the arts, the Greeks might simultaneously learn the name and worship of the Phoenician deity, presiding over such inventions.

Still an aboriginal deity was probably the nucleus, round which gradually gathered various and motley attributes.

And certain it is, that as soon as the whole creation rose into distinct life, the stately and virgin goddess towers, aloof and alone, the most national, the most majestic of the Grecian deities--rising above all comparison with those who may have assisted to decorate and robe her, embodying in a single form the very genius, multiform, yet individual as it was, of the Grecian people--and becoming among all the deities of the heathen heaven what the Athens she protected became upon the earth.
XI.


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