"Wake up, Condy, I'm talking to you," she called.
"It's 'Life's Handicap,'" he answered, with a start; "but why and but why have I--" "What's it about?
I never heard of it," she declared.
"You never heard of 'Life's Handicap' ?" he shouted; "you never heard--you never--you mean to say you never heard--but here, this won't do.

Sit right still, and I'll read you one of these yarns before you're another minute older.

Any one of them--open the book at random.
Here we are--'The Strange Ride of Morrowbie Jukes'; and it's a stem-winder, too." And then for the first time in her life, there in that airy, golden Chinese restaurant, in the city from which he hasted to flee, Travis Bessemer fell under the charm of the little spectacled colonial, to whose song we all must listen and to whose pipe we all must dance.
There was one "point" in the story of Jukes' strange ride that Condy prided himself upon having discovered.

So far as he knew, all critics had overlooked it.

It is where Jukes is describing the man-trap of the City of the Dead who are alive, and mentions that the slope of the inclosing sandhills was "about forty-five degrees." Jukes was a civil engineer, and Condy held that it was a capital bit of realism on the part of the author to have him speak of the pitch of the hills in just such technical terms.