[The Gilded Age<br> Part 3. by Mark Twain and Charles Dudley Warner]@TWC D-Link book
The Gilded Age
Part 3.

CHAPTER XXIV
4/15

When you finished your breakfast at ten o'clock and went out, the sunshine was brilliant, the weather balmy and delicious, and the mud and slush deep and all-pervading.

You will like the climate when you get used to it.
You naturally wish to view the city; so you take an umbrella, an overcoat, and a fan, and go forth.

The prominent features you soon locate and get familiar with; first you glimpse the ornamental upper works of a long, snowy palace projecting above a grove of trees, and a tall, graceful white dome with a statue on it surmounting the palace and pleasantly contrasting with the background of blue sky.

That building is the capitol; gossips will tell you that by the original estimates it was to cost $12,000,000, and that the government did come within $21,200,000 of building it for that sum.
You stand at the back of the capitol to treat yourself to a view, and it is a very noble one.

You understand, the capitol stands upon the verge of a high piece of table land, a fine commanding position, and its front looks out over this noble situation for a city--but it don't see it, for the reason that when the capitol extension was decided upon, the property owners at once advanced their prices to such inhuman figures that the people went down and built the city in the muddy low marsh behind the temple of liberty; so now the lordly front of the building, with, its imposing colonades, its, projecting, graceful wings, its, picturesque groups of statuary, and its long terraced ranges of steps, flowing down in white marble waves to the ground, merely looks out upon a sorrowful little desert of cheap boarding houses.
So you observe, that you take your view from the back of the capitol.
And yet not from the airy outlooks of the dome, by the way, because to get there you must pass through the great rotunda: and to do that, you would have to see the marvelous Historical Paintings that hang there, and the bas-reliefs--and what have you done that you should suffer thus?
And besides, you might have to pass through the old part of the building, and you could not help seeing Mr.Lincoln, as petrified by a young lady artist for $10,000--and you might take his marble emancipation proclamation, which he holds out in his hand and contemplates, for a folded napkin; and you might conceive from his expression and his attitude, that he is finding fault with the washing.


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