[The Innocents Abroad Part 2 of 6 by Mark Twain]@TWC D-Link bookThe Innocents Abroad Part 2 of 6 CHAPTER XVIII 2/18
We needed no one to point it out--we did not wish any one to point it out--we would recognize it even in the desert of the great Sahara. At last, a forest of graceful needles, shimmering in the amber sunlight, rose slowly above the pygmy housetops, as one sometimes sees, in the far horizon, a gilded and pinnacled mass of cloud lift itself above the waste of waves, at sea,--the Cathedral! We knew it in a moment. Half of that night, and all of the next day, this architectural autocrat was our sole object of interest. What a wonder it is! So grand, so solemn, so vast! And yet so delicate, so airy, so graceful! A very world of solid weight, and yet it seems in the soft moonlight only a fairy delusion of frost-work that might vanish with a breath! How sharply its pinnacled angles and its wilderness of spires were cut against the sky, and how richly their shadows fell upon its snowy roof! It was a vision!--a miracle!--an anthem sung in stone, a poem wrought in marble! Howsoever you look at the great cathedral, it is noble, it is beautiful! Wherever you stand in Milan or within seven miles of Milan, it is visible and when it is visible, no other object can chain your whole attention. Leave your eyes unfettered by your will but a single instant and they will surely turn to seek it.
It is the first thing you look for when you rise in the morning, and the last your lingering gaze rests upon at night.
Surely it must be the princeliest creation that ever brain of man conceived. At nine o'clock in the morning we went and stood before this marble colossus.
The central one of its five great doors is bordered with a bas-relief of birds and fruits and beasts and insects, which have been so ingeniously carved out of the marble that they seem like living creatures--and the figures are so numerous and the design so complex that one might study it a week without exhausting its interest.
On the great steeple--surmounting the myriad of spires--inside of the spires--over the doors, the windows--in nooks and corners--every where that a niche or a perch can be found about the enormous building, from summit to base, there is a marble statue, and every statue is a study in itself! Raphael, Angelo, Canova--giants like these gave birth to the designs, and their own pupils carved them.
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