If Cyriax was vexed when little Juli began to show plainly enough that she preferred her nurse even to him, he submitted because the lame girl watched the child through severe attacks of convulsions and fever as if it were her own, and willingly sacrificed her night's rest for its sake.

True, he often talked loudly enough in Kuni's presence of the witch potion which the lame girl mixed in the porridge of his child, who loved him better than anything in the world, to estrange it from him and win it to herself.
Kuni paid little heed to these offensive words; she knew that she had gained the child's love by very different means from the "black art." With far more reason, she dimly felt, the sick child might have been reproached for exerting a secret spell upon her.

Her name, "Julie," which she owed to her patron saint, Kuni supposed was the same as "Juliane." Besides, the daughter of the vagabond with the mutilated tongue was born a few days after the death of little Fraulein Peutinger, and this circumstance, when Kuni knew it, seemed significant.

Soon after meeting the vagrant pair she had listened to a conversation between two travelling scholars, and learned some strange things.

One believed that the old sages were right when they taught that the soul of a dead person continued its existence in other living creatures; for instance, the great Pythagoras had known positively, and proved that his own had dwelt, in former ages, in the breast of the hero Palamedes.
The ropedancer remembered this statement, questioned other Bacchantes about these things, and heard the doctrine of the transmigration of the soul confirmed.