The conductor of the boy choir was franker.

He slightly shook his ponderous head, whose long, gray hair was parted in the middle, and then honestly admitted, in his deep tones, that the Missa Graecorum seemed to him too majestic and gloomy for this purpose.

Wolf, too, disapproved of the Queen's suggestion for the same reason, and, though she pointed out that she had chosen this composition precisely on account of its deep religious earnestness, the former persisted in his opposition, and modestly mentioned the melody which would probably be best suited for a surprise at his imperial Majesty's repast.
Maestro Gombert had recently composed a Benedictio Mensae for four voices, and, as it was one of his most effective creations, had never been executed, and therefore would be entirely new to the Emperor, it was specially adapted to introduce the concert with which the monarch was to be surprised at table.
The Queen would have preferred that a religious piece should commence the musical performance, but assented to Wolf's proposal.

Gombert himself dispelled her fear that his composition would be purely secular in character, and Wolf upheld him by singing to the musical princess, to the accompaniment of the lute, snatches of the principal theme of the Benedictio, which had impressed itself upon his faithful memory.
Gombert assisted him, but Appenzelder stroked his long beard, signifying his approval by nods and brief exclamations of satisfaction.

The Queen was now sincerely glad that this piece of music had been brought to her notice; certainly nothing more suitable for the purpose could have been found.