[The Merry Men by Robert Louis Stevenson]@TWC D-Link book
The Merry Men

CHAPTER III
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Here, too, the spirits of my driver mended, and he began to sing aloud in a falsetto voice, and with a singular bluntness of musical perception, never true either to melody or key, but wandering at will, and yet somehow with an effect that was natural and pleasing, like that of the of birds.

As the dusk increased, I fell more and more under the spell of this artless warbling, listening and waiting for some articulate air, and still disappointed; and when at last I asked him what it was he sang--'O,' cried he, 'I am just singing!' Above all, I was taken with a trick he had of unweariedly repeating the same note at little intervals; it was not so monotonous as you would think, or, at least, not disagreeable; and it seemed to breathe a wonderful contentment with what is, such as we love to fancy in the attitude of trees, or the quiescence of a pool.
Night had fallen dark before we came out upon a plateau, and drew up a little after, before a certain lump of superior blackness which I could only conjecture to be the residencia.

Here, my guide, getting down from the cart, hooted and whistled for a long time in vain; until at last an old peasant man came towards us from somewhere in the surrounding dark, carrying a candle in his hand.

By the light of this I was able to perceive a great arched doorway of a Moorish character: it was closed by iron-studded gates, in one of the leaves of which Felipe opened a wicket.
The peasant carried off the cart to some out-building; but my guide and I passed through the wicket, which was closed again behind us; and by the glimmer of the candle, passed through a court, up a stone stair, along a section of an open gallery, and up more stairs again, until we came at last to the door of a great and somewhat bare apartment.

This room, which I understood was to be mine, was pierced by three windows, lined with some lustrous wood disposed in panels, and carpeted with the skins of many savage animals.


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