Thanks to this editor, for the others would have nothing to say to me though I battered on all their doors, she was soon able to sleep at nights without the dread that I should be waking presently with the iron-work of certain seats figured on my person, and what relieved her very much was that I had begun to write as if Auld Lichts were not the only people I knew of.
So long as I confined myself to them she had a haunting fear that, even though the editor remained blind to his best interests, something would one day go crack within me (as the mainspring of a watch breaks) and my pen refuse to write for evermore.

'Ay, I like the article brawly,' she would say timidly, 'but I'm doubting it's the last--I always have a sort of terror the new one may be the last,' and if many days elapsed before the arrival of another article her face would say mournfully, 'The blow has fallen--he can think of nothing more to write about.' If I ever shared her fears I never told her so, and the articles that were not Scotch grew in number until there were hundreds of them, all carefully preserved by her: they were the only thing in the house that, having served one purpose, she did not convert into something else, yet they could give her uneasy moments.

This was because I nearly always assumed a character when I wrote; I must be a country squire, or an undergraduate, or a butler, or a member of the House of Lords, or a dowager, or a lady called Sweet Seventeen, or an engineer in India, else was my pen clogged, and though this gave my mother certain fearful joys, causing her to laugh unexpectedly (so far as my articles were concerned she nearly always laughed in the wrong place), it also scared her.

Much to her amusement the editor continued to prefer the Auld Licht papers, however, as was proved (to those who knew him) by his way of thinking that the others would pass as they were, while he sent these back and asked me to make them better.

Here again she came to my aid.