These people live in the open air, regardless of everybody, setting their pots boiling, eating nameless things, freely displaying their tattered garments, and sleeping, fighting, kissing, and reeking with mingled filth and misery.
The field, formerly so still and deserted, save for the buzzing of hornets around the rich blossoms in the heavy sunshine, has thus become a very rowdy spot, resounding with the noisy quarrels of the gipsies and the shrill cries of the urchins of the suburb.

In one corner there is a primitive saw-mill for cutting the timber, the noise from which serves as a dull, continuous bass accompaniment to the sharp voices.

The wood is placed on two high tressels, and a couple of sawyers, one of whom stands aloft on the timber itself, while the other underneath is half blinded by the falling sawdust, work a large saw to and fro for hours together, with rigid machine-like regularity, as if they were wire-pulled puppets.

The wood they saw is stacked, plank by plank, along the wall at the end, in carefully arranged piles six or eight feet high, which often remain there several seasons, and constitute one of the charms of the Aire Saint-Mittre.

Between these stacks are mysterious, retired little alleys leading to a broader path between the timber and the wall, a deserted strip of verdure whence only small patches of sky can be seen.