On another day Mozart's Requiem, with additional accompaniments by Kurpinski (piccolos, flutes, oboes, clarinets, and horns to the Dies irae and Sanctus; harps to the Hostias and Benedictus; and a military brass-band to the closing chorus!!!), was given in the same place by two hundred and fifty executants under the last-mentioned musician.

And in the Lutheran church took place a performance of Elsner's Requiem for male voices, violoncellos, bassoons, horns, trumpets, trombones, and drums.
Having made the reader acquainted with the musical sphere in which Chopin moved, I shall take up the thread of the narrative where I left it, and the reader may follow without fear of being again detained by so long an interruption..