The ceremonies lasted two days (the 29th and 30th December, 1558).

In the grand and elaborate procession which swept through the streets upon the first day, the most conspicuous object was a ship floating apparently upon the waves, and drawn by a band of Tritons who disported at the bows.

The masts, shrouds, and sails of the vessel were black, it was covered with heraldic achievements, banners and emblematic mementos of the Emperor's various expeditions, while the flags of Turks and Moors trailed from her sides in the waves below.

Three allegorical personages composed the crew.

Hope, "all clothyd in brown, with anker in hand," stood at the prow; Faith, with sacramental chalice and red cross, clad in white garment, with her face nailed "with white tiffany," sat on a "stool of estate" before the mizen-mast; while Charity "in red, holding in her hand a burning heart," was at the helm to navigate the vessel.
Hope, Faith, and Love were thought the most appropriate symbols for the man who had invented the edicts, introduced the inquisition, and whose last words, inscribed by a hand already trembling with death, had adjured his son, by his love, allegiance, and hope of salvation, to deal to all heretics the extreme rigor of the law, "without respect of persons and without regard to any plea in their favor." The rest of the procession, in which marched the Duke of Alva, the Prince of Orange, and other great personages, carrying the sword, the globe, the sceptre, and the "crown imperial," contained no emblems or imagery worthy of being recorded.