In this, ready to his hand, were drawers little and big, full of miscellaneous papers and envelopes; pigeon-holes crammed full of answered and unanswered notes, some with crests on them, some with plain wax clinging to the flap of the broken envelopes; many held together with the gum of the common world.

Here, too, were bundles of old letters tied with tape; piles of pamphlets, quaint trays holding pens and pencils, and here too was always to be found, in summer or in winter, a big vase full of roses or blossoms, or whatever was in season--a luxury he never denied himself.
To this desk, then, Peter betook himself the moment he had hung his gray surtout on its hook in the closet and disposed of his hat and umbrella.
This was his up-town office, really, and here his letters awaited him.
First came a notice of the next meeting of the Numismatic Society of which he was an honored member; then a bill for his semi-annual dues at the Century Club; next a delicately scented sheet inviting him to dine with the Van Wormleys of Washington Square, to meet an English lord and his lady, followed by a pressing letter to spend Sunday with friends in the country.

Then came a long letter from his sister, Miss Felicia Grayson, who lived in the Genesee Valley and who came to New York every winter for what she was pleased to call "The Season" (a very remarkable old lady, this Miss Felicia Grayson, with a mind of her own, sections of which she did not hesitate to ventilate when anybody crossed her or her path, and of whom we shall hear more in these pages), together with the usual assortment of bills and receipts, the whole an enlivening record not only of Peter's daily life and range of taste, but of the limitations of his purse as well.
One letter was reserved for the last.

This he held in his hand until he again ran his eye over the pile before him.

It was from Holker Morris the architect, a man who stood at the head of his profession.
"Yes, Holker's handwriting," he said as he inserted the end of the paper cutter.