[Peter by F. Hopkinson Smith]@TWC D-Link bookPeter CHAPTER II 5/12
The property, of course, had gone from bad to worse since the owner had died; the neighborhood had run down, and the better class of tenants down, up, and even across the street--had moved away, but none of these things had troubled Peter. And no wonder, when once you got inside the two rooms and looked about! There was a four-post bedstead with chintz curtains draped about the posts, that Martha Washington might have slept in, and a chintz petticoat which reached the floor and hid its toes of rollers, which the dear lady could have made with her own hands; there was a most ancient mahogany bureau to match, all brass fittings.
There were easy chairs with restful arms within reach of tables holding lamps, ash receivers and the like; and rows and rows of books on open shelves edged with leather; not to mention engravings of distinguished men and old portraits in heavy gilt frames: one of his grandfather who fought in the Revolution, and another of his mother--this last by Rembrandt Peale--a dear old lady with the face of a saint framed in a head of gray hair, the whole surmounted by a cluster of silvery curls.
There were quaint brass candelabra with square marble bases on each end of the mantel, holding candles showing burnt wicks in the day time and cheery lights at night; and a red carpet covering both rooms and red table covers and red damask curtains, and a lounge with a red afghan thrown over it; and last, but by no means least--in fact it was the most important thing in the sitting-room, so far as comfort was concerned--there was a big open-hearth Franklin, full of blazing red logs, with brass andirons and fender, and a draught of such marvellous suction that stray scraps of paper, to say nothing of uncommonly large sparks, had been known more than once to have been picked up in a jiffy and whirled into its capacious throat. Just the very background for dear old Peter, I always said, whenever I watched him moving about the cheery interior, pushing up a chair, lighting a fresh candle, or replacing a book on the shelf.
What a half-length the great Sully would have made of him, with his high collar, white shirt-front and wonderful neck-cloth with its pleats and counterpleats, to say nothing of his rosy cheeks and bald head, the high light glistening on one of his big bumps of benevolence.
And what a background of deep reds and warm mahoganys with a glint of yellow brass for contrast! Indeed, I have often thought that not only Peter's love of red, but much of Peter's quaintness of dress, had been suggested by some of the old portraits which lined the walls of his sitting-room--his grandfather, by Sully, among them; and I firmly believe, although I assure you I have never mentioned it to any human being before, that had custom permitted (the directors of his bank, perhaps), Peter would not only have indulged in the high coat-collar and quaint neck-cloths of his fathers, but would also have worn a dainty cue tied with a flowing black ribbon, always supposing, of course, that his hair had held out, and, what is more important, always supposing, that the wisp was long enough to hold on. The one article, however, which, more than any other one thing in his apartment, revealed his tastes and habits, was a long, wide, ample mahogany desk, once the property of an ancestor, which stood under the window in the front room.
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