The house was square and massy-looking, with a great deal of drab-colour about the furniture.
Mrs Bradshaw, in her lackadaisical, sweet-tempered way, seconded her husband in his desire of being kind to Ruth; and as she cherished privately a great taste for what was beautiful or interesting, as opposed to her husband's love of the purely useful, this taste of hers had rarely had so healthy and true a mode of gratification as when she watched Ruth's movements about the room, which seemed in its unobtrusiveness and poverty of colour to receive the requisite ornament of light and splendour from Ruth's presence.

Mrs Bradshaw sighed, and wished she had a daughter as lovely, about whom to weave a romance; for castle-building, after the manner of the Minerva press, was the outlet by which she escaped from the pressure of her prosaic life, as Mr Bradshaw's wife.

Her perception was only of external beauty, and she was not always alive to that, or she might have seen how a warm, affectionate, ardent nature, free from all envy or carking care of self, gave an unspeakable charm to her plain, bright-faced daughter Jemima, whose dark eyes kept challenging admiration for her friend.

The first evening spent at Mr Bradshaw's passed like many succeeding visits there.

There was tea, the equipage for which was as handsome and as ugly as money could purchase.