"We're in the train," Maggie mutely reflected after the dinner in Eaton Square with Lady Castledean; "we've suddenly waked up in it and found ourselves rushing along, very much as if we had been put in during sleep--shoved, like a pair of labelled boxes, into the van.

And since I wanted to 'go' I'm certainly going," she might have added; "I'm moving without trouble--they're doing it all for us: it's wonderful how they understand and how perfectly it succeeds." For that was the thing she had most immediately to acknowledge: it seemed as easy for them to make a quartette as it had formerly so long appeared for them to make a pair of couples--this latter being thus a discovery too absurdly belated.

The only point at which, day after day, the success appeared at all qualified was represented, as might have been said, by her irresistible impulse to give her father a clutch when the train indulged in one of its occasional lurches.

Then--there was no denying it--his eyes and her own met; so that they were themselves doing active violence, as against the others, to that very spirit of union, or at least to that very achievement of change, which she had taken the field to invoke.
The maximum of change was reached, no doubt, the day the Matcham party dined in Portland Place; the day, really perhaps, of Maggie's maximum of social glory, in the sense of its showing for her own occasion, her very own, with every one else extravagantly rallying and falling in, absolutely conspiring to make her its heroine.

It was as if her father himself, always with more initiative as a guest than as a host, had dabbled too in the conspiracy; and the impression was not diminished by the presence of the Assinghams, likewise very much caught-up, now, after something of a lull, by the side-wind of all the rest of the motion, and giving our young woman, so far at least as Fanny was concerned, the sense of some special intention of encouragement and applause.