There on one side was the ugliness his middle time had been spared; there on the other, from all the portents, was the beauty with which his age might still be crowned.

He was happier, doubtless, than he deserved; but THAT, when one was happy at all, it was easy to be.

He had wrought by devious ways, but he had reached the place, and what would ever have been straighter, in any man's life, than his way, now, of occupying it?
It hadn't merely, his plan, all the sanctions of civilization; it was positively civilization condensed, concrete, consummate, set down by his hands as a house on a rock--a house from whose open doors and windows, open to grateful, to thirsty millions, the higher, the highest knowledge would shine out to bless the land.

In this house, designed as a gift, primarily, to the people of his adoptive city and native State, the urgency of whose release from the bondage of ugliness he was in a position to measure--in this museum of museums, a palace of art which was to show for compact as a Greek temple was compact, a receptacle of treasures sifted to positive sanctity, his spirit to-day almost altogether lived, making up, as he would have said, for lost time and haunting the portico in anticipation of the final rites.
These would be the "opening exercises," the august dedication of the place.

His imagination, he was well aware, got over the ground faster than his judgment; there was much still to do for the production of his first effect.