CHAPTER XLIV.
REBEL MUSIC--SINGULAR LACK OF THE CREATIVE POWER AMONG THE SOUTHERNERS -- CONTRAST WITH SIMILAR PEOPLE ELSEWHERE--THEIR FAVORITE MUSIC, AND WHERE IT WAS BORROWED FROM--A FIFER WITH ONE TUNE.
I have before mentioned as among the things that grew upon one with increasing acquaintance with the Rebels on their native heath, was astonishment at their lack of mechanical skill and at their inability to grapple with numbers and the simpler processes of arithmetic.

Another characteristic of the same nature was their wonderful lack of musical ability, or of any kind of tuneful creativeness.
Elsewhere, all over the world, people living under similar conditions to the Southerners are exceedingly musical, and we owe the great majority of the sweetest compositions which delight the ear and subdue the senses to unlettered song-makers of the Swiss mountains, the Tyrolese valleys, the Bavarian Highlands, and the minstrels of Scotland, Ireland and Wales.
The music of English-speaking people is very largely made up of these contributions from the folk-songs of dwellers in the wilder and more mountainous parts of the British Isles.

One rarely goes far out of the way in attributing to this source any air that he may hear that captivates him with its seductive opulence of harmony.

Exquisite melodies, limpid and unstrained as the carol of a bird in Spring-time, and as plaintive as the cooing of a turtle-dove seems as natural products of the Scottish Highlands as the gorse which blazons on their hillsides in August.

Debarred from expressing their aspirations as people of broader culture do--in painting, in sculpture, in poetry and prose, these mountaineers make song the flexible and ready instrument for the communication of every emotion that sweeps across their souls.
Love, hatred, grief, revenge, anger, and especially war seems to tune their minds to harmony, and awake the voice of song in them hearts.