High-backed chairs and enormous armchairs, dating from the time of Louis XIII; more modern sofas, which had been made to harmonize with the older furniture, filled the room.

They were covered with flowered tapestry in thousands of shades, which must have busied the white hands of the ladies of the house for two or three generations past.
The row of portraits was interrupted on one side by a large fireplace of grayish granite, which was too high for one to hang a mirror above or to place ornaments upon its mantel.

Opposite was an ebony console inlaid with ivory, upon which was placed one of those elegant clocks whose delicate and original chased work has not been eclipsed by any modern workmanship.

Two large Japanese vases accompanied it; the whole was reflected in an antique mirror which hung above the console; its edges were bevelled, doubtless in order to cause one to admire the thickness of the glass.
It would be impossible to imagine a stronger contrast than that of this Gothic room with the lady in the rose-colored gown who had just entered it so precipitately.

The fire upon the hearth threw a warm light over the old portraits, and it was heightened by the heavy, red damask curtains which hung by the windows.