Upon the velvet-covered mantel Mademoiselle Irma, the favorite of the master of the apartment, had left the last fashionable novel, marking, with one of her hairpins, where she had left off reading.

Amedee spent a delightful hour there.

Maurice always greeted him with his joyful, kind manner, in which one hardly minded the slight shade of patronage.
He walked up and down his room, expanding his finely moulded chest, lighting and throwing away his cigarettes, seating himself for two minutes at the piano and playing one of Chopin's sad strains, opening a book and reading a page, showing his albums to his friend, making him repeat some of his poems, applauding him and touching lightly upon different subjects, and charming Amedee more and more by his grace and manners.
However, Amedee could not enjoy his friend much, as he rarely found him alone.

Every few moments--the key was in the door--Maurice's comrades, young pleasure-seekers like himself, but more vulgar, not having his gentlemanly bearing and manners, would come to talk with him of some projected scheme or to remind him of some appointment for the evening.
Often, some one of them, with his hat upon his head, would dash off a polka, after placing his lighted cigar upon the edge of the piano.

These fast fellows frightened Amedee a little, as he had the misfortune to be fastidious.
After these visitors had left, Maurice would ask his friend to dinner, but the door would open again, and Mademoiselle Irma, in her furs and small veil--a comical little face--would enter quickly and throw her arms about Amedee's neck, kissing him, while rumpling his hair with her gloved hands.
"Bravo! we will all three dine together." No! Amedee is afraid of Mademoiselle Irma, who has already thrown her mantle upon the sofa and crowned the bronze Venus de Milo with her otter toque.