[Cinq Mars by Alfred de Vigny]@TWC D-Link book
Cinq Mars

CHAPTER VII
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He knew that there was no reply; so, slipping his letter into his pocket, and opening the folding-doors just wide enough to allow his exit, he glided out like a bird escaped from the cage.
The minister went on writing the note upon his knee.
The secretaries redoubled their silent zeal, when suddenly the two wings of the door were thrown back and showed, standing in the opening, a Capuchin, who, bowing, with his arms crossed over his breast, seemed waiting for alms or for an order to retire.

He had a dark complexion, and was deeply pitted with smallpox; his eyes, mild, but somewhat squinting, were almost hidden by his thick eyebrows, which met in the middle of his forehead; on his mouth played a crafty, mischievous, and sinister smile; his beard was straight and red, and his costume was that of the order of St.Francis in all its repulsiveness, with sandals on his bare feet, that looked altogether unfit to tread upon carpet.
Such as he was, however, this personage appeared to create a great sensation throughout the room; for, without finishing the phrase, the line, or even the word begun, every person rose and went out by the door where he was still standing--some saluting him as they passed, others turning away their heads, and the young pages holding their fingers to their noses, but not till they were behind him, for they seemed to have a secret fear of him.

When they had all passed out, he entered, making a profound reverence, because the door was still open; but, as soon as it was shut, unceremoniously advancing, he seated himself near the Cardinal, who, having recognized him by the general movement he created, saluted him with a dry and silent inclination of the head, regarding him fixedly, as if awaiting some news and unable to avoid knitting his brows, as at the aspect of a spider or some other disagreeable creature.
The Cardinal could not resist this movement of displeasure, because he felt himself obliged, by the presence of his agent, to resume those profound and painful conversations from which he had for some days been free, in a country whose pure air, favorable to him, had somewhat soothed the pain of his malady; that malady had changed to a slow fever, but its intervals were long enough to enable him to forget during its absence that it must return.

Giving, therefore, a little rest to his hitherto indefatigable mind, he had been awaiting, for the first time in his life perhaps, without impatience, the return of the couriers he had sent in all directions, like the rays of a sun which alone gave life and movement to France.

He had not expected the visit he now received, and the sight of one of those men, whom, to use his own expression, he "steeped in crime," rendered all the habitual disquietudes of his life more present to him, without entirely dissipating the cloud of melancholy which at that time obscured his thoughts.
The beginning of his conversation was tinged with the gloomy hue of his late reveries; but he soon became more animated and vigorous than ever, when his powerful mind had reentered the real world.
His confidant, seeing that he was expected to break the silence, did so in this abrupt fashion: "Well, my lord, of what are you thinking ?" "Alas, Joseph, of what should we all think, but of our future happiness in a better life?
For many days I have been reflecting that human interests have too much diverted me from this great thought; and I repent me of having spent some moments of my leisure in profane works, such as my tragedies, 'Europe' and 'Mirame,' despite the glory they have already gained me among our brightest minds--a glory which will extend unto futurity." Father Joseph, full of what he had to say, was at first surprised at this opening; but he knew his master too well to betray his feelings, and, well skilled in changing the course of his ideas, replied: "Yes, their merit is very great, and France will regret that these immortal works are not followed by similar productions." "Yes, my dear Joseph; but it is in vain that such men as Boisrobert, Claveret, Colletet, Corneille, and, above all, the celebrated Mairet, have proclaimed these tragedies the finest that the present or any past age has produced.


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