I must confess, however, that I experienced some uneasiness, for had this war terminated unfortunately for the allies, the pension of Madam de Warrens would have been in a dangerous situation; nevertheless, I had great confidence in my good friends, the French, and for once (in spite of the surprise of M.de Broglio) my confidence was not ill-founded--thanks to the King of Sardinia, whom I had never thought of.
While we were fighting in Italy, they were singing in France: the operas of Rameau began to make a noise there, and once more raise the credit of his theoretic works, which, from their obscurity, were within the compass of very few understandings.

By chance I heard of his 'Treatise on Harmony', and had no rest till I purchased it.

By another chance I fell sick; my illness was inflammatory, short and violent, but my convalescence was tedious, for I was unable to go abroad for a whole month.

During this time I eagerly ran over my Treatise on Harmony, but it was so long, so diffuse, and so badly disposed, that I found it would require a considerable time to unravel it: accordingly I suspended my inclination, and recreated my sight with music.
The cantatas of Bernier were what I principally exercised myself with.
These were never out of my mind; I learned four or five by heart, and among the rest, 'The Sleeping Cupids', which I have never seen since that time, though I still retain it almost entirely; as well as 'Cupid Stung by a Bee', a very pretty cantata by Clerambault, which I learned about the same time.
To complete me, there arrived a young organist from Valdoste, called the Abbe Palais, a good musician and an agreeable companion, who performed very well on the harpsichord; I got acquainted with him, and we soon became inseparable.

He had been brought up by an Italian monk, who was a capital organist.