For this purpose I wrote to M.d'Argenson, who had the department of the opera.
I likewise enclosed to him a memoir which was unanswerable; but this, as well as my letter, was ineffectual, and I received no answer to either.
The silence of that unjust man hurt me extremely, and did not contribute to increase the very moderate good opinion I always had of his character and abilities.

It was in this manner the managers kept my piece while they deprived me of that for which I had given it them.

From the weak to the strong, such an act would be a theft: from the strong to the weak, it is nothing more than an appropriation of property, without a right.
With respect to the pecuniary advantages of the work, although it did not produce me a fourth part of the sum it would have done to any other.
person, they were considerable enough to enable me to subsist several years, and to make amends for the ill success of copying, which went on but very slowly.

I received a hundred louis from the king; fifty from Madam de Pompadour, for the performance at Bellevue, where she herself played the part of Colin; fifty from the opera; and five hundred livres from Pissot, for the engraving; so that this interlude, which cost me no more than five or six weeks' application, produced, notwithstanding the ill treatment I received from the managers and my stupidity at court, almost as much money as my 'Emilius', which had cost me twenty years' meditation, and three years' labor.

But I paid dearly for the pecuniary ease I received from the piece, by the infinite vexations it brought upon me.