In the little journeys to Choisy, performances frequently took place at the theatre twice in one day: grand opera and French or Italian comedy at the usual hour; and at eleven at night they returned to the theatre for parodies in which the best actors of the Opera presented themselves in whimsical parts and costumes.

The celebrated dancer Guimard always took the leading characters in the latter performance; she danced better than she acted; her extreme leanness, and her weak, hoarse voice added to the burlesque in the parodied characters of Ernelinde and Iphigenie.
The most magnificent fete ever given to the Queen was one prepared for her by Monsieur, the King's brother, at Brunoy.

That Prince did me the honour to admit me, and I followed her Majesty into the gardens, where she found in the first copse knights in full armour asleep at the foot of trees, on which hung their spears and shields.

The absence of the beauties who had incited the nephews of Charlemagne and the gallants of that period to lofty deeds was supposed to occasion this lethargic slumber.

But when the Queen appeared at the entrance of the copse they were on foot in an instant, and melodious voices announced their eagerness to display their valour.