The newcomers and the men who met them walked round the yard at a measured beat, lifting one leg and throwing up one arm each time the cry of 'Wah! wah! wah!' was given, for here too the enumeration of geographical names went on.
When the Boorah song was over, the men marched out of the yard; closely behind them the two oldest men with the tufted spears; the Boorah boys closely after them.

The women followed, carrying bunches of leafy twigs with which they pelted the boys until they reached the camp.
Matah and I had been watching the whole performance, and followed in the wake of the women.
The whole scene impressed us as picturesque--the painted figures of the men and boys, with the peculiarly native stealthy tread, threading their way through the grey Coolabah trees; the decorated women throwing their leafy missiles with accurate aim into the ranks of the boys, who did not dare to look at their assailants.

A Boorah boy must give no evidence of curiosity; the NIL ADMIRARI attitude then begun clings to a black man through life.

The women of the tribe express voluble surprise, but a black man never except by the dilation of his eyes.
Every night after this a corroboree was held.

The fully initiated of each tribe, as they arrived, help in the preparation of the inner sacred ground, while the younger men collected game and other food.
The old men cut out of the ground along the narrow path leading to the Bunbul, and round it, huge earthen animals, their various totems, such as crocodiles, kangaroos, emus and others, all of a colossal size.
These they plastered over with mud and painted in different colours and designs.