Roland, who entered first, instead of merely holding out her hands as usual, she put her arms round her and kissed her, for she divined the purpose of her visit.
The furniture of this drawing-room, all in stamped velvet, was always shrouded in chair-covers.

The walls, hung with flowered paper, were graced by four engravings, the purchase of her late husband, the captain.

They represented sentimental scenes of seafaring life.

In the first a fisherman's wife was seen, waving a handkerchief on shore, while the vessel which bore away her husband vanished on the horizon.

In the second the same woman, on her knees on the same shore, under a sky shot with lightning, wrung her arms as she gazed into the distance at her husband's boat which was going to the bottom amid impossible waves.
The others represented similar scenes in a higher rank of society.