The clowns arrive a week or ten days before the festival, which takes place on August 15, to put up their tents and booths in the open space which reaches from the church toward the fields.

I have not even invented the coming of the peasants from Santo Benedetto, a neighboring village, during the chorale.
What I write now I have mentioned so often in Germany and other parts that several opera houses, notably that of Berlin, had printed on their bills "Scene of the true event." After all this, M.Mendes insisted on his claim, which means that he does not believe my words.

Had I used M.
Mendes's ideas I would not have hesitated to open correspondence with him before the first representation, as I have done now with a well known writer who has a subject that I wish to use for a future work.
"Pagliacci" is my own, entirely my own.

If in this opera, a scene reminds one of M.Mendes's book, it only proves that we both had the same idea which Estebanez had before us.

On my honor and conscience I assure you that I have read but two of M.Mendes's books in my life--"Zo Hur" and "La Premiere Maitresse." When I read at Marienbad a little while ago the newspaper notices on the production of "La Femme de Tabarin" I even wrote to you, dear Signor Sonzogno, thinking this was an imitation of "Pagliacci." This assertion will suffice, coming from an honorable man, to prove my loyalty.