The opera won a pretty triumph and so did the singer.

At once there was talk of a New York performance.Mme.Etelka Gerster studied the titular role with M.
Delibes and, as a member of Colonel Mapleson's company at the Academy of Music, confidently expected to produce the work there in the season of 1883-1884, the first season of the rivalry between the Academy and the Metropolitan Opera House, which had just opened its doors; but though she went so far as to offer to buy the American performing rights from Heugel, the publisher, nothing came of it.

The reason was easily guessed by those who knew that there has been, or was pending, a quarrel between Colonel Mapleson and M.Heugel concerning the unauthorized use by the impresario of other scores owned by the publisher.
During the same season, however, Miss Emma Abbott carried a version (or rather a perversion) of the opera, for which the orchestral parts had been arranged from the pianoforte score, into the cities of the West, and brought down a deal of unmerited criticism on the innocent head of M.Delibes.In the season of 1884-1885 Colonel Mapleson came back to the Academy with vouchers of various sorts to back up a promise to give the opera.

There was a human voucher in the person of Miss Emma Nevada, who had also enjoyed the instruction of the composer and who had trunkfuls and trunkfuls and trunkfuls of Oriental dresses, though Lakme needs but few.

There were gorgeous uniforms for the British soldiers, the real article, each scarlet coat and every top boot having a piece of history attached, and models of the scenery which any doubting Thomas of a newspaper reporter might inspect if he felt so disposed.
When the redoubtable colonel came it was to be only a matter of a week or so before the opera would be put on the stage in the finest of styles; it was still a matter of a week or so when the Academy season came to an end.