13/32 It was Al'mah's portrait in the costume she had worn over three years ago, the night when Rudyard Byng had rescued her from the flames. It had been unpacked again by Gleg, and put in the place it had occupied for a day or two before he had gone out of England to do his country's work--and to face the bitterest disillusion of his life; to meet the heaviest blow his pride and his heart had ever known. "It's 'er--done up for the opery," he declared. That lady will be good to her." "Right. |