[Antonina by Wilkie Collins]@TWC D-Link book
Antonina

CHAPTER 25
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The Roman and the Goth; the opposite in sex, nation, and fate; the madman who dreamed of the sanguinary superstitions of Paganism before the temple altar, and the assassin who brooded over the chances of bloodshed beneath the temple portico, were now united in a mysterious identity of expectation, uncommunicated and unsuspected by either--the hour when the sun vanished from the heaven was the hour of the sacrifice for both! * * * * * There is now a momentary pause in the progress of events.

Occurrences to be hereafter related render it necessary to take advantage of this interval to inform the reader of the real nature and use of the vault in the temple wall, the external appearance of which we have already described.
The marking peculiarity in the construction of the Pagan religion may be most aptly compared to the marking peculiarity in the construction of the pagan temples.

Both were designed to attract the general eye by the outward effect only, which was in both the false delusive reflection of the inward substance.
In the temple, the people, as they worshipped beneath the long colonnades, or beheld the lofty porticoes from the street, were left to imagine the corresponding majesty and symmetry of the interior of the structure, and were not admitted to discover how grievously it disappointed the brilliant expectations which the exterior was so well calculated to inspire; how little the dark, narrow halls of the idols, the secret vaults and gloomy recesses within, fulfilled the promise of the long flights of steps, the broad extent of pavement, the massive sun-brightened pillars without.

So in the religion, the votary was allured by the splendour of processions; by the pomp of auguries; by the poetry of the superstition which peopled his native woods with the sportive Dryads, and the fountains from which he drank with their guardian Naiads; which gave to mountain and lake, to sun and moon and stars, to all things around and above him, their fantastic allegory, or their gracious legend of beauty and love: but beyond this, his first acquaintance with his worship was not permitted to extend, here his initiation concluded.

He was kept in ignorance of the dark and dangerous depths which lurked beneath this smooth and attractive surface; he was left to imagine that what was displayed was but the prelude to the future discovery of what was hidden of beauty in the rites of Paganism; he was not admitted to behold the wretched impostures, the loathsome orgies, the hideous incantations, the bloody human sacrifices perpetrated in secret, which made the foul, real substance of the fair exterior form.


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