[Antonina by Wilkie Collins]@TWC D-Link book
Antonina

CHAPTER 25
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Dragging Numerian after him to the left side of the recess, Ulpius drew back a sort of wooden shutter, and a vivid ray of sunlight immediately streamed in through a small circular opening pierced in this part of the temple.
Then there became apparent, at the lower end of the apartment, a vast yawning cavity in the wall, high enough to admit a man without stooping, but running downwards almost perpendicularly to some lower region which it was impossible to see, for no light shot upwards from this precipitous artificial abyss, in the darkness of which the eye was lost after it had penetrated to the distance of a few feet only from the opening.

At the base of the confined space thus visible appeared the commencement of a flight of steps, evidently leading far downwards into the cavity.

On the abruptly sloping walls, which bounded it on all sides, were painted, in the brilliant hues of ancient fresco, representations of the deities of the mythology--all in the attitude of descending into the vault, and all followed by figures of nymphs bearing wreaths of flowers, beautiful birds, and other similar adjuncts of the votive ceremonies of Paganism.

The repulsive contrast between the bright colours and graceful forms presented by the frescoes, and the perilous and gloomy appearance of the cavity which they decorated, increased remarkably the startling significance in the character of the whole structure.

Its past evil uses seemed ineradicably written over every part of it, as past crime and torment remain ineradicably written on the human face; the mind imbibed from it terrifying ideas of deadly treachery, of secret atrocities, of frightful refinements of torture, which no uninitiated eye had ever beheld, and no human resolution had ever been powerful enough to resist.
But the impressions thus received were not produced only by what was seen in and around this strange vault, but by what was heard there besides.


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