[Antonina by Wilkie Collins]@TWC D-Link book
Antonina

CHAPTER 22
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One after another, as the wine overpowers us, those burning images of life will be extinguished in succession by the guests who remain proof against our draughts; and the last of these, lighting this torch at the last lamp, will consummate the banquet, and celebrate its glorious close, by firing the funeral pile of my treasures heaped yonder against my palace walls! If my powers fail me before yours, swear to me that whoever among you is able to lift the cup to his lips after it has dropped from the hands of the rest, will fire the pile! Swear it by your lost mistresses, your lost friends, your lost treasures!--by your own lives, devoted to the pleasures of wine and the purification of fire!' As, with flashing eyes and flushed countenance, Vetranio sank back on his couch, his companions, inflamed with the wine they had already drunk, arose cup in hand, and turned towards him.

Their voices, discordantly mingled, pronounced the oath together; then, as they resumed their former positions, their eyes all turned towards the black curtain in ardent expectation.
They had observed the sinister and sarcastic expression of Vetranio's eye as he spoke of his concealed guest; they knew that the hunchback Reburrus possessed, among his other powers of buffoonery, the art of ventriloquism; and they suspected the presence of some hideous or grotesque image of a heathen god or demon in the hidden recess, which the jugglery of the parasite was to gift with the capacity of speech.
Blasphemous comments upon life, death, and immortality were eagerly awaited.

The general impatience for the withdrawal of the curtain was perceived by Vetranio, who, waving his hand for silence, authoritatively exclaimed-- 'The hour has not yet arrived.

More draughts must be drunk, more libations poured out, ere the mystery of the curtain is revealed! Ho, Glyco!' he continued, turning towards the singing-boy, who had silently entered the room, 'the moment is yours! Tune your lyre, and recite my last ode, which I have addressed to you! Let the charms of Poetry preside over the feast of Death!' The boy advanced, trembling; his once ruddy face was colourless and haggard; his eyes were fixed with a look of rigid terror on the black curtain; his features palpably expressed the presence within him of some secret and overwhelming recollection which had crushed all his other faculties and perceptions.

Steadily, almost guiltily, averting his face from his master's countenance, he stood by Vetranio's couch, a frail and fallen being, a mournful spectacle of perverted docility and degraded youth.
Still true, however, to the duties of his vocation, he ran his thin, trembling fingers over the lyre, and mechanically preluded the commencement of the ode.


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