[American Handbook of the Daguerrotype by Samuel D. Humphrey]@TWC D-Link book
American Handbook of the Daguerrotype

CHAPTER V
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Consequently, if this relative condition happens, the result will be as I have stated.
Bodies may be colder than the atmosphere and yet derive no moisture from it; while at the same time the driest atmosphere is not devoid of moisture, but will part with it under certain conditions.
Assuming for granted that this relative condition between the plate and atmosphere, disposing the former to receive the humidity of the latter, constitutes the great obstacle the operator has to contend with in producing, a clear proof upon the plate, the remedy naturally suggests itself, and is very simple.

It consists in merely heating the plate above the temperature of the atmosphere, previous to polishing, and retaining that temperature during the operation.

Various measures might be devised to effect the desired object; one of which consists of a sheet-iron box, heated from the inside by a spirit-lamp, upon the top of which are to be kept the plates ready to undergo the process of being polished; the blocks of the swing or any other vice; or the iron bed belonging to Lewis's vice.
In cold weather, when it is necessary to keep a fire in the preparation room, all of the above may be so arranged in the vicinity of the fire as to receive the requisite degree of heat for the purpose specified.
This part of the subject, however, is left entirely for the ingenuity of the operator.

No matter by hat means he accomplishes the object; all that is required is to heat the plate above the temperature of the atmosphere and retain that heat during the process of polishing.
Since the adoption of this method, in connection with my partner, T.J.
Dobyns, even in this humid climate of ours, when everything in the room is dripping with moisture, it has been attended with invariable success.
CHOICE OF PLATES, ETC.
In the great catalogue of complaints made by operators, none is more common than that alleged against the quality of plates in general use.
Although the greatest diversity of opinion exists upon this subject, nevertheless the plates of every manufactory share in this universal condemnation.
To be sure it cannot be denied but that this necessary article of utility in the photographic art has undergone a sad deterioration in quality owing to the increasing demand and great reduction in price--the plates of the present day being by no means so heavily coated with silver as formerly--but the complaint alluded to is not predicated so much upon the thinness of silver as upon a mysterious something which has conferred upon the plates the epithet of not good.
That this complaint is in a great measure groundless appears evident from the fact that while, with the same brand of plates one operator can work successfully, another encounters the greatest difficulty; while one is able to produce beautifully clear and altogether satisfactory results, the other labors under the troublesome annoyance of innumerable specks, large dark insensitive patches and brown map-like portions, together with divers other blemishes, sufficient to prevent him from obtaining anything like a tolerable impression.
From this wide difference in the results of the two operators using identically the same article, it is but reasonable to conclude that the complaint is founded in error; while the inference is no more than just, that the fault may be traced to a want of practical skill on the part of the complaining operator himself; rather than to the inferior quality of the plates.
The question, then, whether the plates are unfit for use, or whether those who pronounce them so understand how to use them, appears to be satisfactorily answered.

It therefore becomes a matter worthy of investigation, to ascertain what superior judgment and skill one operator possesses over another which enable him to work successfully a quality of plate, pronounced by the other entirely useless.
Suppose we make a critical examination of one of the repudiated plates.
From its external appearance we have little hesitation in pronouncing it to be French; indeed, this presumption is strongly corroborated by the fact that it is ornamented upon one of its corners with a brand to designate the manufactory from which it emanated.
Upon close inspection we cannot fail to notice a striking peculiarity upon the surface; the roughness is very remarkable; the planishing hammer has left amazingly visible indications of its busy work.


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