[American Handbook of the Daguerrotype by Samuel D. Humphrey]@TWC D-Link book
American Handbook of the Daguerrotype

CHAPTER V
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The shades, of course, are destroyed, and the tone injured; still, for taking children, we have succeeded better by this method than by the use of "sensitives." The discovery of this principle was accidental, while operating where the direct ray s of the sun, entering the window just before sunset, fell on the curtain of our dark room, rendering it very light within.
The selection of iodine is not unimportant.

Reject, at once, that which has anything like a dull, black, greasy appearance; and select that which is in beautiful large crystalline scales, of a purple color, and brilliant steel lustre.
Solarization, and general blueness of all the light parts of the picture, were formerly great obstacles to success, though now scarcely thought of by first-class artists.

Beginners in the art, however, are still apt to meet with this difficulty.

It is occasioned by dampness in the iodine box, which causes the plate to become coated with a hydro-iodide of silver, instead of the iodide.

The remedy is in drying your iodine.


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