He's capitally made up, and likes a bit of melodrama.' 'This scene ought to have come later; but I wanted to show that the mother was the heroine as soon as possible.

I'm tired of love-sick girls and runaway wives.

We'll prove that there's romance in old women also.
Now he's coming!' And in slouched a degraded-looking man, shabby, unshaven, and evil-eyed, trying to assume a masterful air as he dismayed the tranquil old woman by demanding his child.

A powerful scene followed; and Mrs Meg surprised even those who knew her best by the homely dignity with which she at first met the man she dreaded; then, as he brutally pressed his claim, she pleaded with trembling voice and hands to keep the little creature she had promised the dying mother to protect; and when he turned to take it by force, quite a thrill went through the house as the old woman sprung to snatch it from the cradle, and holding it close, defied him in God's name to tear it from that sacred refuge.

It was really well done; and the round of applause that greeted the fine tableau of the indignant old woman, the rosy, blinking baby clinging to her neck, and the daunted man who dared not execute his evil purpose with such a defender for helpless innocence, told the excited authors that their first scene was a hit.
The second was quieter, and introduced Josie as a bonny country lass setting the supper-table in a bad humour.