King Henry the Eighth was the first who had a stage erected for worldly amusement likewise, and caused to be represented on it subjects other than mere dramatized church history.

As he freed the church from its spiritual head, the pope, so he wished to free the stage from the church, and to behold upon it other more lively spectacles than the roasting of saints and the massacre of inspired nuns.
And why, too, represent such mock tragedies on the stage, when the king was daily performing them in reality?
The burning of Christian martyrs and inspired virgins was, under the reign of the Christian king Henry, such a usual and every-day occurrence, that it could afford a piquant entertainment neither to the court nor to himself.
But the representation of a Roman comedy, that, however, was a new and piquant pleasure, a surprise for the young queen.

He had the "Curculio" played before his wife, and if Catharine indeed could listen to the licentious and shameless jests of the popular Roman poet only with bashful blushes, Henry was so much the more delighted by it, and accompanied the obscenest allusions and the most indecent jests with his uproarious laughter and loud shouts of applause.
At length this festivity was also over with, and Catharine was now permitted to retire with her attendants to her private apartments.
With a pleasant smile, she dismissed her cavaliers, and bade her women and her second maid of honor, Anna Askew, go into her boudoir and await her call.

Then she gave her arm to her friend Lady Jane Douglas, and with her entered her cabinet.
At last she was alone, at last unwatched.

The smile disappeared from her face, and an expression of deep sadness was stamped upon her features.
"Jane," said she, "pray thee shut the doors and draw the window curtains, so that nobody can see me, nobody hear me, no one except yourself, my friend, the companion of my happy childhood.