The bookcase was a large cupboard with glass doors filled with books; the chimney was of wood painted to represent marble, and habitually without fire.

In the chimney stood a pair of firedogs of iron, ornamented above with two garlanded vases, and flutings which had formerly been silvered with silver leaf, which was a sort of episcopal luxury; above the chimney-piece hung a crucifix of copper, with the silver worn off, fixed on a background of threadbare velvet in a wooden frame from which the gilding had fallen; near the glass door a large table with an inkstand, loaded with a confusion of papers and with huge volumes; before the table an arm-chair of straw; in front of the bed a prie-Dieu, borrowed from the oratory.
Two portraits in oval frames were fastened to the wall on each side of the bed.

Small gilt inscriptions on the plain surface of the cloth at the side of these figures indicated that the portraits represented, one the Abbe of Chaliot, bishop of Saint Claude; the other, the Abbe Tourteau, vicar-general of Agde, abbe of Grand-Champ, order of Citeaux, diocese of Chartres.

When the Bishop succeeded to this apartment, after the hospital patients, he had found these portraits there, and had left them.

They were priests, and probably donors--two reasons for respecting them.